re Jeremy's comment.
Yes, it would be good to have a flickering account of the picture's evolution and (for some while) I've been bearing that in mind. It would not be the first time I've made such a record... Drawing: A Film was the most ambitious attempt in 1976 (see Works & Texts p.93). It occupied the same space on the same wall of the studio that now hosts these painted panels. With improved technology, and expert monitoring by Alice, this work should make a better-told story when organised as a film.
Crisis weeks on The Magic Flute (not helped by discovering I've been working to the wrong measurements) means slow progress on the painting. But I look at it from time to time each day.
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