Having teased out the words I felt the need of an ikon for his chapel. Once again arte povera ruled and I found in Zeit Magazin (18/6/09 p.7) a picture of a black Porsche like an object of worship, in a halo of gold. It was a nicely exacting challenge to reconfigure cut up elements of this as a holy image; Christ from a car. I took great pleasure in recycling the whole of the vehicle as can be seen below from the remaining outline with absent Porsche.
Around this collage is a set of borders. The first collaged from the same magazine and the other two painted after standard patterns I had seen on mosaics in Jordan, as I was reminded while reading my friend Glen Bowersock's brilliant book Mosaics in History (which I have just swapped with him for a promised copy of my [imminently forthcoming!] book on goldweights).
Why am I suddenly talking of how pages come to be made? Perhaps because on one of my Sundays in New York I met up with John Pull at the Lyric diner on 3rd Ave and 22nd St. Over a lunch the menu called 'Lumberjack' we talked of the possibility of making in due time a Humument Variorum, an edition that would include the original and changed versions, plus all the treated fragments, as well as humument appearances on globe and skull, poster and t-shirt. I guess this must by now, with the Inferno commentary, Ulysses pages and various celebratory items, amount to well over a thousand items. I find this an exciting prospect though the method of doing it poses problems, especially since, with work still underway, it would soon be overtaken by itself. A posthumous post-modern document perhaps; but to be started nonetheless.
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