interesting echo between the cover and the hogarthian "serpentine line of beauty"
does this mean that feminist painting is somehow re-enacting an "aztec [$anti$][*pre/-/post*]aesthetic" by the forcible interruption of the wave, or is the representation always composed of pure sinuosity at some other level of granularity, rendering perception a kind of Alice in Wonderland 'discursive' nomadism between levels of signification and sites of determinacy..
2 comments:
that cover is bad UGLY. please take it away.
interesting echo between
the cover and the hogarthian
"serpentine line of beauty"
does this mean that feminist painting
is somehow re-enacting an "aztec [$anti$][*pre/-/post*]aesthetic" by the forcible interruption of the wave, or is the representation always composed of pure sinuosity at some other level of granularity, rendering perception a kind of Alice in Wonderland 'discursive' nomadism
between levels of signification and sites of determinacy..
Hogarth is Cool.
I want this issue.
Nice to see your blog, Mr. Phillips.
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