Showing posts with label institute for advanced study. Show all posts
Showing posts with label institute for advanced study. Show all posts

Monday, October 04, 2010

Rail Diversions & Flowers NYC


My railings have just been officially unveiled at no1 Grafton Street... nice for a veteran Monopoly player to have at last a stake in Mayfair. There was no mention in the opening speech (by the developer's grand fromage) of Future City who nursed the project from beginning to end or of MDM who actually made the work. I took the opportunity however, in the customary 'few words from the artist', pointedly to make amends. It was a rum affair in a virtual world, entirely attended apart from my own two invitees, Jeremy King and Nick Tite, by men in identical suits. With much relief and thanks to Jeremy, Nick and I quickly repaired to the Wolsely.


On the way to Grafton St I looked in at Westminster Cathedral to catch a glimpse of the new mosaic of St David recently blessed by the Pope. This occupies a space I had been allotted for my own design of the same subject, once approved but recently rejected through some clerical skullduggery, or Madonna, or Maradonna and the Hand of God. It would have had to be pretty impressive to have broken through my vanity and professional pride to gain approval. There was however no problem in that it is a spangly confection that looks to be largely made of boiled sweets. More interesting perhaps was to notice a small group of conspicuously gay men looking up at my mosaic of Cardinal Newman, himself elected last month to the company of the Blessed and therefore on the fast track to sainthood. Could they have been prospecting for their future patron saint? Might I inadvertently have created a gay ikon? Newman is currently one miracle short of a halo. Might this eventually, and ironically, be it?

I am currently installed at the Institute for Advanced Study in Princeton and keeping an eye on my imminent exhibition in New York. Any of my East Coast readers, or all three of them, are invited to the opening on the 7th October. Do say hello if you turn up.

Friday, November 28, 2008

My painting XLI

As at end October 2008

Another stimulating month at Princeton. The Institute for Advanced Study was certainly the right place to see Dr Atomic in a live telecast from the Met. Much talk from those who knew Oppenheimer (notably Freeman Dyson) and fine film of the making of the atomic bomb (Wonders Are Many). I remembered the tiny triumph of finding authentic echoes of Hiroshima for A Postcard Century. Like most new operas Adams’s latest was a quarter of an hour too long but contained some brilliant episodes; and a masterpiece aria, Batter my Heart. Gerald Finlay was superb as Oppenheimer even though (according to the Institute Director Peter Goddard) he wore the wrong hat.

Mindful of all that, it was interesting for Tarik and myself to work with Jonathan Miller on a fragment of Heart of Darkness in an old New York synagogue on the Lower East Side.

In between bouts of writing about Akan Goldweights I stared at the print out of my painting pinned up on my office blackboard. In the last week of my stay I made some pencil marks on it, erased them, made some more... until I had an idea what to do next. Now back at the studio I have the painting itself to stare at. Things are somewhat promising and I’ve started tentatively attacking the last panel again.

Pencil over print out, late Nov 2008.


The day before I left Princeton I gave a short talk about making the Abbey Memorial. Part of the title refers to Baudelaire's marvelous remark that, whatever his circumstances 'the artist feels much like a prince travelling incognito'.